60 pages • 2 hours read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of mental illness, self-harm, substance use, cursing, death, sexual violence, sexual content, and child abuse.
At her husband Michael’s funeral, Kayla Reece acknowledges her overwhelming grief. She hears one of his coworkers, Sharon or Karen, crying behind her, and Kayla leaves the funeral to be alone. Kayla goes home and notes her headache, which is the fifth one she has had this week. She finds a letter in her kitchen that makes her uncomfortable. The letter is from the Washington State Penitentiary, and it has LOVE written on it in red. The letter reads: “I’ll wait forever if I have to” (5), signed “Dante,” but Kayla does not know what it means.
In the morning, Kayla’s headache remains, and she complains about the weather in Washington, which is usually dreary, windy, and rainy. Kayla tries to work, illustrating children’s novels, but she is too upset to draw happy characters. She finds water on the kitchen floor from a leak in the roof, leading her to reminisce about fixing up the house with Michael. Fiona, their housekeeper, arrives and is startled by Kayla. Fiona asks if Kayla is staying in the house, and Kayla confirms that she will. Kayla writes a response to the letter, asking what the sender is waiting for. A week later, Kayla gets a response that reads: “You,” with what looks like a smudge of blood.
Kayla notices issues in the house, such as lightbulbs bursting, lights turning off and on, and the doorbell ringing on its own. She calls multiple roofers about the leak in the roof, but none of them call back. She finds a card for someone named Eddie, and he comes out to check out the house. He smells like cannabis, and Kayla thinks he seems nice. While Eddie looks around, Kayla lays down with another headache. He checks through the house and reports that a specialist will need to fix the roof. He recommends seeing a therapist about Kayla’s headaches, saying he had migraines from stress before seeing a therapist, himself. Regarding the wiring, he did not detect any issues, and he implies that Kayla might be hallucinating. Kayla is upset by Eddie’s implication, and she suspects he may not have even checked the wiring. Eddie leaves, and Kayla finds another envelope stamped “LOVE” from Dante. When she sees the letter, the lights get brighter, flicker, and turn off.
In the letter, Dante notes that Kayla did not respond to his last letter, and he says he understands that she does not think they know each other. He claims to know Kayla intimately, both physically and spiritually. He laments that they are separated.
Kayla decides that someone, probably Dante, is messing with her. She suspects that Dante saw Michael’s obituary in the newspaper, and he is trying to scam a widow into sending him money. She notes that she and Michael had a simple life with no enemies, and grief makes her dizzy. Part of her feels bad for Dante, but she thinks he might be dangerous. She smells the letter and notes that it could smell like a man or an animal.
Kayla calls for roofers in Seattle, and she is surprised when a man shows up to look at the house two days later. The man is large and covered in tattoos, and, though he is not Kayla’s type, she finds him sexy. He is rude to her as she tries to explain the issues she has been having with the house, but she snaps at him. They start over, and he introduces himself as Aidan Leighrite. When Aidan remarks that Kayla quickly forgave him, she thinks about how hard it has been to overcome her grief.
Kayla responds to Dante saying that she does not know him or anyone in prison. She says she is not judging him and asks what he did to end up in prison. Kayla retracts her question and threatens to send his letters to the police if he continues to send them to her.
Kayla mails the letter and looks in the refrigerator, noting that she has not had any appetite since Michael died. Aidan finds her and asks if she is okay. They joke a bit until Aidan tells Kayla it will cost $10,000 to fix her roof. Kayla refuses, and Aidan offers to negotiate. When Kayla offers $4,000, Aidan only responds with $9,999. Kayla refuses again and shows him out of the house. Aidan says he knows a guy who could do the job with the electrical issues for $5,000. Kayla suspects this other guy is uninsured or unlicensed, but Aidan says that he is the guy and will be back tomorrow morning.
The next morning, Aidan arrives at 8:00 am, pounding on Kayla’s door. She answers and criticizes his aggressive knocking, but, contrary to Kayla’s clocks, his watch shows that he has been waiting at the door for 10 minutes. Kayla is attracted to Aidan’s body, but she still cannot read his face. Aidan tracks mud into Kayla’s house and comments that it looks like she has not mopped for 100 years. Kayla asks if she should make Aidan’s check out to Godzilla, and he calls her a “dragon lady” with sad eyes. Kayla tells Aidan to leave, and he tells her to call him if she changes her mind. Checking her eyes in the mirror, Kayla finds large bruises around her neck, one of which looks like a thumbprint.
Five days later, the marks fade, and Kayla assumes that stress, grief, and nutrient deficiency are to blame for the spontaneous bruising. She goes to a grief support group meeting, where she meets Madison, a woman in her forties whose daughter was kidnapped six years ago at the age of four. Madison says she scours the internet for child pornography, hoping to find her daughter, who has one blue eye and one brown. Madison identifies the group leader as Jan, an older woman with a large purse. Kayla asks if the group has helped Madison, who has been attending for six years, but Madison gives an indirect answer. Kayla leaves and goes to a bar, where she finds Aidan.
Kayla nods to Aidan but goes to the bar facing away from him. Kayla orders her drink, and Aidan comes to sit next to her. He asks about her husband, assuming she is still married. Kayla avoids a direct answer, implying that she and Michael are separated. Aidan asks if Michael is violent, which makes Kayla laugh. A couple sits next to them. Kayla gets uncomfortable and sad when the couple kisses, so Aidan leads her to a table. Kayla drinks her drink, and Aidan says he wants to have sex with her. Kayla is taken aback, but Aidan persists, explaining that he senses a mutual attraction he thinks they should pursue. Kayla rejects him, but she cannot deny that she is aroused. Kayla says she is confused and uncomfortable, which makes Aidan accept that she will not have sex with him today. However, he implies that he still thinks they will have sex eventually. Aidan kisses her, which Kayla enjoys, but she decides to leave. Aidan tells her he lives above the bar and that she can visit him any day after 6:00 pm.
Dante’s response to Kayla’s letter does not answer her questions, but Dante says he will always tell the truth. He sends her a poem about love moving with a celestial force and asks what Kayla thinks.
Kayla does not understand the poem in the letter, and she laughs at the thought of reading it with Michael before calling the police. At night, Kayla wakes up and thinks she heard someone on her staircase. It is the middle of a storm, so she thinks she is hearing the house settle. Another step on the stairs startles her into getting dressed and grabbing a flashlight to use as a weapon. After waiting for another step, Kayla decides to leave the house, and she drives to Aidan’s home. Aidan lets her in, and she is embarrassed. Aidan dries her off, and Kayla explains what happened. Aidan offers her fresh clothes, but he does not have any sweatpants. Kayla forgot to put on underwear, so she does not want to only wear a sweatshirt. Aidan says he likes looking at her, and Kayla takes off her clothes and says she wants to have sex with Aidan.
The novel opens with a clear direction, as Kayla grieves at her husband’s funeral, only to find the ominous letter from Dante and mysterious events in her home. In the horror genre, this is a classic opening to a haunted house or exorcism narrative. However, Pen Pal plays more heavily into Kayla’s grief, introducing the theme of The Impact of Unresolved Grief and Guilt. Two key components reflect this developing theme: Kayla’s headaches and her irritation. In the first chapter, she experiences a severe headache, waking up the next day and noting, “[T]he headache is still with me, but the oppressive sense of dread is gone” (6). Throughout the first part of the novel, Kayla balances her physical and mental well-being, usually through her budding relationship with Aidan or her consumption of alcohol. Nonetheless, it is the minor character, Eddie, who forces Kayla to acknowledge how both her physical and mental symptoms could be the result of grief. Though it offends Kayla, Eddie points out, “I mean…you have been under a lot of stress lately, man…What with your husband and all” (17). For a large part of Inferno, Kayla grapples with the possibility that her mood swings and potential hallucinations could be either the result of grief or ghosts.
As is typical of the romance and dark romance genres, Aidan and Kayla’s attraction is near immediate, though it is initially clouded by animosity. Kayla notes how Aidan is not her usual type of man. He is “intimidating” with “dark hair, dark eyes, and a dark beard covering a square jaw” (26), but these are traditional traits of romantic interests in the genre. Kayla admits, “To my great surprise, I find him sexy” (26). Aidan’s attraction is less direct, as Geissinger writes the novel from Kayla’s perspective; however, Kayla notes how, when she fails to answer Aidan’s questions, “His eyes are like his fist pounding on my front door, loudly demanding an answer” (44). Kayla’s responses to Aidan reveal the fact that Kayla is not accustomed to an equitable relationship grounded in mutual interest, establishing the theme of The Contrast Between Sexual and Romantic Equity. The implication of Kayla’s easy dismissal of Aidan’s concerns is that Michael did not worry about Kayla, or, at least, did not inquire about her well-being. Aidan’s dark and edgy demeanor masks his sensitivity, but his insistence on making sure Kayla is all right exposes his earnest interest in protecting and helping Kayla. Later, in the bar, Aidan’s attraction becomes more obvious, culminating in Kayla going to Aidan’s apartment to have sex.
Dante’s letters invite another romantic interpretation of the novel’s events, causing the theme of The Transcendence of Love Beyond the Physical Realm to emerge. Dante is overtly interested in Kayla, who insists she has never met anyone named Dante or anyone in prison. The poem in Dante’s letter in Chapter 9—“But already my desire and my will were being turned like a wheel, all at one speed, by the Love that moves the sun and the other stars” (65)—belongs to Dante Alighieri. This implies that Kayla may be communicating with a long-dead poet or someone who shares his name. The poem is originally about God and the nature of the universe, but, in the context of a love letter, it becomes romantic, implying that Dante’s love for Kayla is a transcendent force. Aidan Leighrite’s name is also an anagram of Dante Alighieri, implying a connection between the two.
A critical element of the opening chapters is the strange events that take place alongside the obvious issues of the doorbell and lights. Eddie’s appearance, for example, implies that he is from a different time. His clothing and attitude align him with the stereotypical “hippie” from the 1970s. Likewise, the way other members of the grief group ignore Madison implies that she might be invisible to them. The novel opens with the proposition of supernatural events, and the initial set-up of the novel mirrors typical horror films. These niche events foreshadow that Kayla may have a connection to the supernatural or may even be part of the supernatural herself.
Unlock all 60 pages of this Study Guide
Plus, gain access to 9,100+ more expert-written Study Guides.
Including features: